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Tuesday October 8, 2024 9:45am - 10:30am EDT
The upcoming 2025 AES International Conference on Artificial Intelligence and Machine Learning for Audio (AIMLA) aims to foster a collaborative environment where researchers and practitioners from academia and industry can converge to share their latest work in Artificial Intelligence (AI) and Machine Learning (ML) for Audio.

We want to advertise the upcoming AIMLA at the AES Show, to encourage early involvement and awareness from the AES community. To better accommodate the central themes of the conference, we propose new additions to the typical AES proceedings, such as challenges and long workshops, that can more appropriately showcase the rapidly growing state of the art. In this presentation, we plan to give an overview and a discussion space about the upcoming conference, and the changes we want to bring into play, tailored for AI/ML research communities, with references to successfully organized cases outside of AES. Finally, we propose a standardized template with guidelines for hosting crowdsourced challenges and presenting long workshops.

Challenges are a staple in the ML/AI community, providing a platform where specific problems are tackled by multiple teams who develop and submit models to address the given issue. These events not only spur competition but also encourage collaboration and knowledge sharing, ultimately driving forward the collective understanding and capabilities of the community.

Complementing the challenges, we introduce long-format workshops to exchange knowledge about emerging AI approaches in audio. These workshops can help develop novel approaches from the ground up and produce high-quality material for diffusion among participants. Both additions could help the conference become an exciting and beneficial event at the forefront of AI/ML for audio, as they intend to cultivate a setting where ideas can be exchanged effectively, drawing inspiration from established conferences such as ISMIR, DCASE, and ICASSP, which have successfully fostered AI/ML communities.

As evidenced by the recent AES International Symposium on AI and the Musician, we believe AI and ML will play an increasingly important role in audio and music engineering. To facilitate and standardize the procedures for featuring and conducting challenges and long-form workshops, we will present a complete guideline for hosting long-form workshops and challenges at AES conferences.

Our final goal is to promote the upcoming 2025 International Conference on AI and Machine Learning for Audio, generate a space to discuss the new additions and ideas, connect with interested parties, advertise and provide guidelines regarding the calls for crowd-sourced challenges and workshops, and ultimately get feedback from the AES as a whole to tailor the new conference to the requirements of both our AES and the AI/ML communities.
Speakers
avatar for Soumya Sai Vanka

Soumya Sai Vanka

PhD Researcher, Queen Mary University of London
I am a doctoral researcher at the Centre for Digital MusicQueen Mary University of London under the AI and Music Centre for Doctoral Training Program. My research focuses on the design of user-centric context-aware AI-based tools for music production. As a hobbyist musician and producer myself, I am interested in developing tools that can support creativity and collaboration resulting in emergence and novelty. I am also interested... Read More →
avatar for Franco Caspe

Franco Caspe

Student, Queen Mary University of London
I’m an electronic engineer, a maker, hobbyist musician and a PhD Student at the Artificial Intelligence and Music CDT at Queen Mary University of London. I have experience in development of real-time systems for applications such as communication, neural network inference, and DSP... Read More →
avatar for Brecht De Man

Brecht De Man

Head of Research, PXL University of Applied Sciences and Arts
Brecht is an audio engineer with a broad background comprising research, software development, management and creative practice. He holds a PhD from the Centre for Digital Music at Queen Mary University of London on the topic of intelligent software tools for music production, and... Read More →
Tuesday October 8, 2024 9:45am - 10:30am EDT
1E08

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