AES Show 2024 NY

By now we know a lot about how immersive microphone arrays work, from fully coincident, to semi-coincident, to fully spaced etc., and how they can be used to make spectacular 3D productions, But what happens when we use the same recording techniques in very different acoustic spaces with different size ensembles etc.? Various hi-resolution immersive recordings of acoustic music from around the globe made in extraordinary acoustic spaces including Skywalker Scoring Stage, Zlin Concert Hall, Notre Dame University, NYU's Paulson Center, CNSO Studios, Smecky Studios, and other exceptional churches and concert halls will be presented. Along with critical listening exercises, we will share microphone set-ups, multi-track recordings, videos and photo documentation of the spaces with the participants.