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Thursday October 10, 2024 10:00am - 12:00pm EDT
Holophonic recording techniques were created and observed to see which techniques would best transcribe the three-dimensional characteristics of the room, allowing a listener 6-degrees-of-freedom within a virtual environment. Two recordings were conducted, one consisting of a solo harp and the second consisting of an African gyil duet. Three microphone systems were prepared to capture the instruments: XYZ array, Hamasaki-Ambeo array, and XYZ with an additional XY side cluster. The recordings were spatialized in Unity using the Steam Audio Plug-in. A preliminary subjective evaluation was conducted with expert subjects ranking each of the systems based on certain attributes. Results showed some favor toward the XYZ array due to the better capture of reverberation, however, this does not exclude the Hamasaki-Ambeo from being a system that would be suitable for holophonic ambience reproduction in virtual environments. These results will be used as a foundation to a long-term research of building a methodology for holophonic recording.
Speakers
avatar for Parichat Songmuang

Parichat Songmuang

Studio Manager/PhD Student, New York University
Parichat Songmuang graduated from New York University with her Master of Music degree in Music Technology at New York University and Advanced Certificate in Tonmeister Studies. As an undergraduate, she studied for her Bachelor of Science in Electronics Media and Film with a concentration... Read More →
Authors
avatar for Parichat Songmuang

Parichat Songmuang

Studio Manager/PhD Student, New York University
Parichat Songmuang graduated from New York University with her Master of Music degree in Music Technology at New York University and Advanced Certificate in Tonmeister Studies. As an undergraduate, she studied for her Bachelor of Science in Electronics Media and Film with a concentration... Read More →
Thursday October 10, 2024 10:00am - 12:00pm EDT
Poster

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