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Tuesday, October 8
 

9:00am EDT

Adapting Immersive Microphone Techniques for different Acoustics Spaces
Tuesday October 8, 2024 9:00am - 10:00am EDT
By now we know a lot about how immersive microphone arrays work, from fully coincident, to semi-coincident, to fully spaced etc., and how they can be used to make spectacular 3D productions, But what happens when we use the same recording techniques in very different acoustic spaces with different size ensembles etc.? Various hi-resolution immersive recordings of acoustic music from around the globe made in extraordinary acoustic spaces including Skywalker Scoring Stage, Zlin Concert Hall, Notre Dame University, NYU's Paulson Center, CNSO Studios, Smecky Studios, and other exceptional churches and concert halls will be presented. Along with critical listening exercises, we will share microphone set-ups, multi-track recordings, videos and photo documentation of the spaces with the participants.
Speakers
PG

Paul Geluso

Director of the Music Technolo, New York University
avatar for David Bowles

David Bowles

Owner, Swineshead Productions, LLC
David v.R Bowles formed Swineshead Productions, LLC as a classical recording production company in 1995. His recordings have been GRAMMY- and JUNO-nominated and critically acclaimed worldwide. His releases in 3D Dolby Atmos can be found on Avie, OutHere Music (Delos) and Navona labels.Mr... Read More →
Tuesday October 8, 2024 9:00am - 10:00am EDT
1E06

10:15am EDT

For Future Use - Surround and Immersive from Familiar Sources
Tuesday October 8, 2024 10:15am - 11:15am EDT
In a perfect world, one would record projects in the perfect space with musicians performing in perfect balance, with perfect results, but for us, the perfect world doesn’t exist and we’re presented with projects that were never intended for surround or immersive presentation, In this illustrated talk, we will play projects that were recorded (even in the last century!) and have been turned into successful immersive and surround recordings..
Speakers
avatar for Jim Anderson

Jim Anderson

Producer/Engineer, Anderson Audio New York
Producer/Engineer
avatar for Ulrike Schwarz

Ulrike Schwarz

Engineer/Producer, Co-Founder, Anderson Audio New York
Engineer/Producer, Co-Founder
Tuesday October 8, 2024 10:15am - 11:15am EDT
1E06

2:00pm EDT

Recent Advances in Volumetric Recording Techniques for Music Production
Tuesday October 8, 2024 2:00pm - 3:00pm EDT
Volumetric sound recording techniques , where multiple 3D sound signals are captured throughout the recording area and mapped later for playback, have shown great promise in the world of positional tracking immersive experiences. But is volumetric sound capture an effective and plausible technique for music production ? What advantages does volumetric have over more traditional recording techniques and single position Ambisonic recordings and how the signals are combined for a stationary immersive listening experience ? These questions will be addressed by sharing immersive recordings, documentation, and discussing the outcomes of recent and ongoing work conducted at New York University and McGill University.
Speakers
PG

Paul Geluso

Director of the Music Technolo, New York University
avatar for Ying-Ying Zhang

Ying-Ying Zhang

PhD Candidate, McGill University
YIng-Ying Zhang is a music technology researcher and sound engineer. She is currently a PhD candidate at McGill University in the Sound Recording program where her research focuses on musician-centered virtual acoustic applications in recording environments. She received her Masters... Read More →
avatar for Parichat Songmuang

Parichat Songmuang

Studio Manager/PhD Student, New York University
Parichat Songmuang graduated from New York University with her Master of Music degree in Music Technology at New York University and Advanced Certificate in Tonmeister Studies. As an undergraduate, she studied for her Bachelor of Science in Electronics Media and Film with a concentration... Read More →
avatar for Michael Ikonomidis

Michael Ikonomidis

Doctoral student, McGill University
Michael Ikonomidis (Michail Oikonomidis) is an accomplished audio engineer and PhD student in Sound Recording at McGill University, specializing in immersive audio, high-channel count orchestral recordings and scoring sessions.With a diverse background in music production, live sound... Read More →
Tuesday October 8, 2024 2:00pm - 3:00pm EDT
1E06

3:15pm EDT

The Art of Mixing in Stereo and ATMOS Simultaneously
Tuesday October 8, 2024 3:15pm - 4:15pm EDT
Join veteran audio engineer Matt Boudreau, who has mixed in ATMOS for Alanis Morissette, Green Day, and Deafheaven, as he delves into immersive audio mixing. In this session, Matt will discuss his approach to mixing in ATMOS and stereo simultaneously and provide a look into his Pro Tools mixing template. Drawing from his extensive experience and his Mixing in Stereo and ATMOS course, Matt will share practical tips for creating dynamic mixes that excel in both formats. Whether you're new to ATMOS or refining your skills, this presentation offers valuable insights for all audio professionals.
Speakers
MB

Matt Boudreau

An audio engineer at Matt Boudreau MIXING|MASTERING + Producer/Host/Author Working Class Audio Podcast.
Tuesday October 8, 2024 3:15pm - 4:15pm EDT
1E06

4:30pm EDT

Upmix and Format Conversion of Multichannel Audio: An Opportunity for AI-Based Breakthroughs?
Tuesday October 8, 2024 4:30pm - 5:30pm EDT
The demand for the production, distribution and playback of audio content in surround or immersive multichannel formats and flexible playback setups has continued to grow in the cinema, broadcast and music industries. This trend motivates the continued development of multichannel audio signal processing methods for the conversion of recordings between different multichannel and spatial audio formats or layouts, including down- or up-mixing. These operations leverage a well researched frequency-domain processing framework nowadays commonly referred to as parametric spatial audio signal processing, to solve challenges including the primary-ambient decomposition of audio recordings. Bringing ML/AI techniques to bear in the development of novel spatial audio analysis/synthesis methods can unlock practical applications with transformative impact. In this workshop, we will review and discuss the fundamentals and recent progress in these methods.
Speakers
avatar for Jean-Marc Jot

Jean-Marc Jot

Founder and Principal, Virtuel Works LLC
Spatial audio and music technology expert and innovator. Virtuel Works provides audio technology strategy, IP creation and licensing services to help accelerate the development of audio and music spatial computing technology and interoperability solutions.
avatar for Gordon Wichern

Gordon Wichern

Principal Research Scientist - Speech and Audio Team, MERL, Sr. Principal Research Scientist
Audio signal processing and machine learning resarcher
avatar for Sunil Bharitkar

Sunil Bharitkar

Samsung Research America
avatar for Carlos Freitas

Carlos Freitas

CMO - Mastering Engineer, Spatial9
9 Latin Grammy nominees in the Best Engineering category, and has been the mastering engineer in 34 Grammy award winning records, with more than 100 nominations.The albums include artists such as Nathan East, Andres Cepeda, Ines Gaviria, João Gilberto, Caetano Veloso, Gilberto Gil... Read More →
avatar for Alan Silva

Alan Silva

CTO, Spatial9
Alan Silva is a well-seasoned Researcher and Engineer who focuses on leveraging machine learning algorithms and distributed computing to create innovative solutions. With a solid commitment to open-source development, Alan actively contributes to collaborative projects that drive... Read More →
Tuesday October 8, 2024 4:30pm - 5:30pm EDT
1E06
 
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