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Monday
, October 7
1E03
10:30am •
AI tools for sound design: emotional music and sound effects in visual media
12:15pm •
Dolby Atmos Music Essentials: From Stereo to Atmos
2:00pm •
Creative sample-based music making in Ableton Live 12
3:45pm •
A practical introduction to Remote ADR and Music Overdub workflows
Crystal Palalce South
11:00am •
Exhibitor Registration
Tuesday
, October 8
1E03
9:30am •
An Industry Focused Investigation into Immersive Commercial Melodic Rap Production - Part Two
9:50am •
Investigation of spatial resolution of first and high order ambisonics microphones as capturing tool for auralization of real spaces in recording studios equipped with virtual acoustics systems
10:10am •
A comparative study of volumetric microphone techniques and methods in a classical recording context
10:30am •
Bestiari: a hypnagogic experience created by combining complementary state-of-the-art spatial sound technologies, Catalan Pavilion, Venice Art Biennale 2024
10:50am •
Influence of Dolby Atmos versus Stereo Formats on Narrative Engagement: A Comparative Study Using Physiological and Self-Report Measures
11:10am •
Creation of representative head-related impulse responses for binaural rendering of moving audio objects
11:30am •
Quantifying the Impact of Head-Tracked Spatial Audio on Common User Auditory Experiences using Facial Microexpressions
11:50am •
Investigating the Role of Customized Interaural Time Differences on First-Person Shooter Gaming Performance
2:00pm •
Towards prediction of high-fidelity earplug subjective ratings using acoustic metrics
2:30pm •
Decoding Emotions: Lexical and Acoustical Cues in Vocal Affects
3:00pm •
A comparison of in-ear headphone target curves for the Brüel & Kjær Head & Torso Simulator Type 5128
3:30pm •
A cepstrum analysis approach to perceptual modelling of the precedence effect
4:00pm •
Categorical Perception of Neutral Thirds Within the Musical Context
1E04
9:30am •
Physiological measurement of the arousing effect of bass amplification in music
10:00am •
Exploring trends in audio mixes and masters: Insights from a dataset analysis
10:30am •
Audience Effect in the Low-Frequency Range, Part 2: Impact on Time Alignment of Loudspeaker Systems
11:00am •
Part of the Band: Virtual Acoustic Space as a Participant in Musical Performance
11:30am •
INFLUENCE OF RECORDING TECHNIQUE AND ENSEMBLE SIZE ON APPARENT SOURCE WIDTH
2:00pm •
Fourier Paradoxes
2:30pm •
Nonlinear distortion in analog modeled DSP plugins in consequence of recording levels
3:00pm •
A Survey of Methods for the Discretization of Phonograph Record Playback Filters
3:30pm •
Leveraging TSN Protocols to Support AES67: Achieving AVB Quality with Layer 3 Benefits
3:50pm •
Harnessing Diffuse Signal Processing (DiSP) to Mitigate Coherent Interference
1E05
9:00am •
dLive Certification
1:00pm •
Mixing Monitors from FOH
2:30pm •
Vocal Processing
1E06
9:00am •
Adapting Immersive Microphone Techniques for different Acoustics Spaces
10:15am •
For Future Use - Surround and Immersive from Familiar Sources
2:00pm •
Recent Advances in Volumetric Recording Techniques for Music Production
3:15pm •
The Art of Mixing in Stereo and ATMOS Simultaneously
4:30pm •
Upmix and Format Conversion of Multichannel Audio: An Opportunity for AI-Based Breakthroughs?
1E07
9:00am •
Best practices for wireless audio in live productions
10:15am •
The Plugin Kitchen: Coding a custom effect and putting it in the mix
2:00pm •
HELA Certification: Elevating standards in live event sound management
3:15pm •
Mary Campbell In Memoriam
4:30pm •
Mastering for Vinyl
1E08
9:00am •
Student Welcome Meeting
9:45am •
Introducing the 2025 AES AI and ML for Audio Conference and its New Format
10:45am •
Generative AI For Novel Audio Content Creation
2:00pm •
Designing With Constraints in an Era of Abundance
3:15pm •
Reporting from the Frontlines of the Recording Industry: Hear from Studio Owners and Chief Engineers on Present / Future Trends, Best Practices, and the State of the Recording Industry
4:30pm •
How Do We Embrace AI and Make It Work For Us in Audio? Hey AI, Get Yer Stinkin’ Hands Offa My Job! AES and SMPTE Joint Exploration
1E09
9:00am •
NPR's Tiny Desk: A look back and a look forward
10:15am •
Adventures in Livestreaming
2:00pm •
Archiving multi-track and multi-channel: challeges and recommendations
3:15pm •
Mastery in Ambisonic Recording
1E15
10:15am •
SEIDS guide to Building Sustainable Businesses for Music Creators
2:00pm •
WMAS – The way forward for multichannel wireless audio
3:15pm •
Copying and attributing training data in audio generative models
4:30pm •
ADM-OSC 1.0
1E16
9:00am •
Personalized Spatial Audio for Accessibility in Xbox Gaming
10:15am •
The Anatomy of a Recording Session: Where Audio Technology and Musical Creativity Intersect (Part III)
2:00pm •
Bridging the Gap: Lessons for Live Media Networking from IT
3:15pm •
The Devil in the Details
4:30pm •
Psychoacoustics for Immersive Productions
3D04 (AES and AIMS Alliance Program Room)
3:00pm •
Immersive and interactive audio management and production for new entertainment venues.
4:00pm •
Revolutionizing Loudspeaker Design with Ultra Thin Glass Technology
3D06
2:00pm •
Richard King: Enveloping Masterclass
3:15pm •
Susan Rogers: Enveloping Masterclass
4:30pm •
Morten Lindberg: Enveloping Masterclass
AES Membership Booth
1:45pm •
AES Ice Cream Social
Booth 335
5:00pm •
Student Mixer at Telefunken Booth
Crystal Palace South
8:00am •
Attendee Registration
Exhibit Hall
1:00pm •
Exhibit Hall
Offsite
6:00pm •
Tech Tour: The Sonic Room at Amazon Studios
Poster
2:00pm •
Measurement and Applications of Directional Room Impulse Responses (DRIRs) for Immersive Sound Reproduction
2:00pm •
Exploring the Directivity of the Lute, Lavta, and Oud Plucked String Instruments
2:00pm •
Enhancing Realism for Digital Piano Players: A Perceptual Evaluation of Head-Tracked Binaural Audio
2:00pm •
Exploring Immersive Opera: Recording and Post-Production with Spatial Multi-Microphone System and Volumetric Microphone Array
2:00pm •
Review: Head-Related Impulse Response Measurement Methods
2:00pm •
Bitrate adaptation in object-based audio coding in communication immersive voice and audio systems
2:00pm •
The effects of interaural time difference and interaural level difference on sound source localization on the horizontal plane
2:00pm •
Quantitative Assessment of Acoustical Attributes and Listener Preferences in Binaural Renderers with Head-tracking Function
2:00pm •
Generate acoustic responses of virtual microphone arrays from a single set of measured FOA responses. - Apply to multiple sound sources.
Stage
12:00pm •
Opening & Awards Ceremony
12:45pm •
Keynote: Ebonie Smith
2:00pm •
Jack Antonoff & Laura Sisk, Up Close and Personal
3:15pm •
Audio Design Roundtable
4:30pm •
Sonic Mastery - A Room of One's Own
Wednesday
, October 9
1E03
9:30am •
Acoustic modeling and designing of emergency sound systems in road tunnels
9:50am •
Sound immission modeling of open-air sound systems
10:10am •
Virtual Acoustics Technology in the Recording Studio-A System Update
10:30am •
A General Overview of Methods for Generating Room Impulse Responses
11:00am •
Reimagining Delay Effects: Integrating Generative AI for Creative Control
11:20am •
Acoustic Characteristics of Parasaurolophus Crest: Experimental Results from a simplified anatomical model
11:40am •
Interpreting user-generated audio from war zones
12:00pm •
Experimental analysis of a car loudspeaker model based on imposed vibration velocity: effect of membrane discretization
12:20pm •
A novel derivative-based approach for the automatic detection of time-reversed audio in the MPAI/IEEE-CAE ARP international standard
2:00pm •
Auditory Envelopment and Affective Touch Hypothesis
2:30pm •
A framework for high spatial-density auditory data displays using Matlab and Reaper
3:00pm •
Immersive Voice and Audio Services (IVAS) Codec – The New 3GPP Standard for Immersive Communication
3:30pm •
Enhancing Spatial Post-Filters through Non-Linear Combinations
4:00pm •
The Impact of Height Microphone Layer Position on Perceived Realism of Organ Recording Reproduction
4:30pm •
Spatial Matrix Synthesis
1E04
10:20am •
ADM-OSC 1.0
10:40am •
Analysis of Ultra Wideband Wireless Audio Transceivers for High-Resolution Audio Transmission
11:20am •
Rediscovering Xenakis: Decoding the Free Stochastic Music Program's Output File
11:40am •
Unveiling the Impact of K-Pop Song Lyrics on Adolescent Self-Harm Rates: A Pilot Study of Gender Disparities
1E05
9:00am •
Groups, Matrices, and DCAS
10:30am •
Active Dynamics
1:00pm •
dLive Certification
1E06
9:00am •
Unlocking New Dimensions: Producing Music in Immersive Audio
10:15am •
KEYQUALIZATION New EQ Technique and KEY-QAlpha Product Demonstration by Roey Shamir
12:00pm •
Student Recording Competition Category 4
1:00pm •
Best Practices for Creating, Mixing, and Producing in Immersive Audio for Music, Film, TV, Podcasting and More
2:15pm •
Mixing for Dolby Atmos Music
3:30pm •
Student Mix Critiques
4:45pm •
Composing and Producing Music for Immersive Audio
1E07
9:00am •
Student Recording Competition Category 1
10:00am •
Student Recording Competition Category 2
10:45am •
Student Recording Competition Category 3
12:00pm •
Implementing WHO Hearing Health Guidelines in Small Venues & Houses of Worship
2:00pm •
Is Audio AI Changing Audio Education?
3:30pm •
Newly Discovered Jazz Recordings at New York Public Library
4:30pm •
Crafting Modern Hip Hop/Rap: A Hands-On Guide
1E08
9:00am •
Sound Design for Multi-Participant Extended Reality Experiences
10:15am •
The Soundsystem as Survival and Resistance: A Black, Afro-Asian, and Indigenous Audio History
11:15am •
Immersive Voice and Audio Services (IVAS) Codec – A deeper look into the new 3GPP Standard for Immersive Communication
2:00pm •
Acoustical Simulation and Calculation Techniques for Small Spaces
3:15pm •
Remote Live Events for Broadcast-music/spoken word
4:30pm •
7 Non Traditional Production Methods w/ QuestionATL
6:00pm •
Richard Heyser Memorial Lecture: Doohickii Digitali Redux
1E09
9:00am •
New Directions in Modular Synthesizer Design
10:45am •
De-Mixing: Should we just because we can?
11:45am •
Navigating the Legal Landscape of AI in Music and Tech
2:00pm •
Soundgirls Presents Best Skills for Live Sound
3:15pm •
Gender Equity Townhall
4:30pm •
Vocal Production with Simone Torres
1E15
9:00am •
Digital archiving and file management 101
10:45am •
How Audio Engineering can assist in Neurodivergent Hearing Loss Prevention
11:45am •
Be a Leader at AES
2:00pm •
Challenges and Opportunities of Binaural Audio
4:00pm •
Designing an Immersive Audio Production Studio - an in depth Study of Rue Boyer, Paris
1E16
9:00am •
Applications of Artificial Intelligence and Machine Learning in Audio Quality Models, Part II
10:45am •
BBC Pop Hub - Moving Europe's largest radio station
11:45am •
Fix The Mix: Building a Thriving Career Behind the Board
2:00pm •
You're a Gear Geek - Just Like Us! Staging Gear in Trade Shows, Print Media and Online
3:15pm •
Implementing WHO safe listening standards: Insights from the Serendipity Arts Festival
4:30pm •
Ask Me Anything! (About Starting Your Career)
2D02/03
10:00am •
Technical Committee Meeting: Automotive Audio
11:00am •
Technical Committee Meeting: Acoustics and Sound Reinforcement
12:00pm •
Technical Committee Meeting: Coding of Audio Signals
1:00pm •
Technical Committee Meeting: Spatial Audio
3:00pm •
Technical Committee Meeting: Fiber Optics for Audio
3D04 (AES and AIMS Alliance Program Room)
10:00am •
MoIP Security: From Quick and Dirty to Rock Solid
11:30am •
Good Enough Is Not Enough
12:00pm •
How do AES67 and SMPTE ST 2110 relate to IPMX
1:00pm •
AES67 and ST 2110-30 Connection Management in AES70
1:30pm •
Catena Control Plane Standardization Update
2:00pm •
Convergence - The vision of one AV network
2:30pm •
Converged AV Networking
3:00pm •
Enabling Next Generation Audio - SMPTE ST 2110-41 with Serialized ADM Audio Metadata
3:30pm •
Audio for Remote Live Production
4:00pm •
Realtime distance collaboration in the performing arts
4:30pm •
IPMX Site Open “By Invitation Only” to Developers, Integrators, and End Users in New York City
3D06
11:00am •
Ulrike & Jim: Enveloping Masterclass
3:15pm •
Kseniya Kawko: Enveloping Masterclass
4:30pm •
George Massenburg: Enveloping Masterclass
AES and AIMS Alliance Program Room
10:30am •
Revolutionizing Media Workflows: A modern approach to audio processing in a dynamic environment
11:00am •
Migrating to compute for live media production processing – the impact on audio
AES Membership Booth
1:00pm •
Book Signing: Women in Audio by Leslie Gaston-Bird
3:30pm •
Book Signing: The Technical Legacy of Dr. Robert Moog
Crystal Palace Hall
8:00am •
Attendee Registration
Exhibit Hall
10:00am •
Exhibit Hall
Offsite
6:00pm •
Tech Tour: Lincoln Center - David Rubenstein Atrium & David Geffen Hall
7:00pm •
DEI Mixer at Tailor Public House
Poster
2:00pm •
Real-time Recognition of Speech Emotion for Human-robot Interaction
2:00pm •
Do We Need a Source Separation for Automated Subtitling on Media Contents?
2:00pm •
On-Device Automatic Speech Remastering Solution in Real Time
2:00pm •
A study on the relative accuracy and robustness of the convolutional recurrent neural network based approach to binaural sound source localisation.
2:00pm •
Corelink Audio: The Development of A JUCE-based Networked Music Performance Solution
2:00pm •
Music Auto-tagging in the long tail: A few-shot approach
2:00pm •
Automatic Corrective EQ for Measurement Microphone Emulation
2:00pm •
Miniaturized Full-Range MEMS Speaker for In-Ear Headphones
2:00pm •
Authoring Inter-Compatible Flexible Audio for Mass Personalization
Stage
10:00am •
Fania Records at 60
11:30am •
New Trends in Fully Virtual Design and Prototyping of Speaker Drivers
12:45pm •
Grammy Producers & Engineers' Wing: Songs That Changed My Life Vol. II
2:00pm •
The Technical Legacy of Dr. Robert Moog
4:15pm •
Immediate Family Film at AES NY 2024
Thursday
, October 10
1E03
10:00am •
Delay detection in hearing with moving audio objects at various azimuths and bandwidths
10:20am •
Expanding and Analyzing ODAQ - The Open Dataset of Audio Quality
10:40am •
Perceptual Evaluation of Hybrid Immersive Audio Systems in Orchestral Settings
11:00am •
Perception of the missing fundamental in vibrational complex tones
11:20am •
Perceptual loudness compensation for evaluation of personalized earbud equalization
11:40am •
The audibility of true peak distortion (0 dBFS+)
12:00pm •
Evaluation of sound colour in headphones used for monitoring
2:20pm •
2nd order Boom Microphone
2:40pm •
Improved Analogue-to-Digital Converter for High-quality Audio
3:00pm •
The sound of storytelling: the role of sound design and music in the ’drama’ genre of film
1E05
9:00am •
dLive Certification
1:00pm •
Gain Staging
2:30pm •
Live Sound Q&A
1E06
9:00am •
Immersive is out, interactive and flexible is in!
10:00am •
The Science and Practice of Recording Rockets
11:15am •
Student Mix Critiques
12:15pm •
Student Closing/Awards Ceremony
12:45pm •
Best Practices for Creating, Mixing, and Producing in Immersive Audio for Music, Film, TV, Podcasting and More
2:00pm •
Psychoacoustics and Practices of Immersive Sound Recording
3:15pm •
Analog to Atmos: Bob Marley
4:30pm •
Tools for Impressive 3D Audio Productions
1E07
9:00am •
Overcoming Obsolescence: Repair and maintenance of legacy playback machines
10:00am •
Updates from the AES’ Technical Committee for Broadcast and Online Delivery
11:15am •
Case studies: Large scale sound reinforcement: Festivals featuring Roskilde, Outside Lands, Download, Power Trip and more
1:45pm •
From research to market: Entrepreneurial journeys in audio technology
3:00pm •
State of the Music Business
4:45pm •
Loudspeaker design method focusing on impedance characteristics
1E08
9:00am •
DEI work in Audio Engineering Higher Education
10:45am •
Take the Blue Pill-Interactive and Adaptive Music In the 21st century
11:45am •
Protect Your Ass(ets): Disaster Planning and Material Recovery for the Audio Engineer
1:30pm •
Enhancing and Optimizing Spatial Audio in Game Development: Best Practices and Innovations
2:45pm •
Get Smart! - Everything you wanted to know about game audio education but were afraid to ask!
4:30pm •
Cross-talk-cancellation for next-generation spatial audio content
1E09
9:00am •
Working Class Audio Live at AES
10:15am •
Dolby Atmos in Higher Education
11:45am •
Re- Mixing Billy Joel's Classic Album in Atmos
2:00pm •
Mental Health in the Studio
3:15pm •
Mastering Music - Busting Myths
4:30pm •
Marcus "Da Fingaz" Manderson Presents: Mixing Night With Ken Lewis LIVE
1E15
9:00am •
Sustainability in Music Technology Manufacturing
10:15am •
Da Fingaz Presents: The Art of Sync: Navigating the Balance Between Creativity and Commerce
11:30am •
Building Your Career in Audio
1:30pm •
They Might Be Giants - AES Masters Talk Audio History
2:45pm •
Modern Production Workflows for Audio & Video
4:00pm •
’The Good, the Bad, and the Ugly’ - Best practices in Immersive audio production
1E16
9:00am •
Towards AI-augmented Live Music Performances
10:15am •
Putting a 1970s recording studio on stage, Sound Design for Stereophonic.
11:30am •
Expressive Control in Electronic Instruments
2:00pm •
AI in Electronic Instrument Design
3:15pm •
DEI Town Hall
4:30pm •
The medium is the message: Using embedded metadata to integrate systems
3D04 (AES and AIMS Alliance Program Room)
11:00am •
Objective Audio Quality Evaluation of UWB Wireless Transmission
1:00pm •
Best Practices Make Life Better For Everyone!
2:00pm •
Preserve, Protect, Profit - Reshaping How Artists Can Take Control of Their Own Legacies Through Technology
3D06
10:15am •
Bob Katz & Hyunkook Lee: 3D for Two
1:45pm •
Marcela Zorro & Florian Camerer: 3D for Two
Crystal Palace South
8:00am •
Attendee Registration
Exhibit Hall
10:00am •
Exhibit Hall
12:30pm •
Education and Career Fair
Offsite
6:00pm •
Tech Tour: Greene Space
Poster
10:00am •
Detection and Perception of Naturalness in Drum Sounds Processed with Dynamic Range Control
10:00am •
Intentional Audio Engineering Flaws: The Process of Recording Practice Exercises for Mixing Students
10:00am •
New Music Instrument Design & Creative Coding: Assessment of a Sensor-Based Audio and Visual System
10:00am •
Design and Training of an Intelligent Switchless Guitar Distortion Pedal
10:00am •
Investigation of the impact of pink and white noise in an auditory threshold of detection experiment
10:00am •
Exploring Immersive Recording and Reproduction Methods for Pipe Organs
10:00am •
Pilot Study on Creating Fundamental Methodologies for Capturing Spatial Room Information for XR Listening Environments
10:00am •
Subjective Evaluation of Emotions in Music Generated by Artificial Intelligence
10:00am •
Headphones vs. Loudspeakers: Finding the More Effective Monitoring System
10:00am •
Acoustics in Live Sound
Stage
10:00am •
Full-Frequency Room Impulse Response Simulation: Combining Ray Tracing and Finite Element Methods
11:15am •
Produce Like A Pro at AES NY 2024
3:00pm •
Making of Mean Girls 2024
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