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Tuesday
, October 8
1E03
9:30am •
An Industry Focused Investigation into Immersive Commercial Melodic Rap Production - Part Two
9:50am •
Investigation of spatial resolution of first and high order ambisonics microphones as capturing tool for auralization of real spaces in recording studios equipped with virtual acoustics systems
10:10am •
A comparative study of volumetric microphone techniques and methods in a classical recording context
10:30am •
Bestiari: a hypnagogic experience created by combining complementary state-of-the-art spatial sound technologies, Catalan Pavilion, Venice Art Biennale 2024
10:50am •
Influence of Dolby Atmos versus Stereo Formats on Narrative Engagement: A Comparative Study Using Physiological and Self-Report Measures
11:10am •
Creation of representative head-related impulse responses for binaural rendering of moving audio objects
11:30am •
Quantifying the Impact of Head-Tracked Spatial Audio on Common User Auditory Experiences using Facial Microexpressions
11:50am •
Investigating the Role of Customized Interaural Time Differences on First-Person Shooter Gaming Performance
2:00pm •
Towards prediction of high-fidelity earplug subjective ratings using acoustic metrics
2:30pm •
Decoding Emotions: Lexical and Acoustical Cues in Vocal Affects
3:00pm •
A comparison of in-ear headphone target curves for the Brüel & Kjær Head & Torso Simulator Type 5128
3:30pm •
A cepstrum analysis approach to perceptual modelling of the precedence effect
4:00pm •
Categorical Perception of Neutral Thirds Within the Musical Context
1E04
9:30am •
Physiological measurement of the arousing effect of bass amplification in music
10:00am •
Exploring trends in audio mixes and masters: Insights from a dataset analysis
10:30am •
Audience Effect in the Low-Frequency Range, Part 2: Impact on Time Alignment of Loudspeaker Systems
11:00am •
Part of the Band: Virtual Acoustic Space as a Participant in Musical Performance
11:30am •
INFLUENCE OF RECORDING TECHNIQUE AND ENSEMBLE SIZE ON APPARENT SOURCE WIDTH
2:00pm •
Fourier Paradoxes
2:30pm •
Nonlinear distortion in analog modeled DSP plugins in consequence of recording levels
3:00pm •
A Survey of Methods for the Discretization of Phonograph Record Playback Filters
3:30pm •
Leveraging TSN Protocols to Support AES67: Achieving AVB Quality with Layer 3 Benefits
3:50pm •
Harnessing Diffuse Signal Processing (DiSP) to Mitigate Coherent Interference
1E05
9:00am •
dLive Certification
1:00pm •
Mixing Monitors from FOH
2:30pm •
Vocal Processing
1E06
9:00am •
Adapting Immersive Microphone Techniques for different Acoustics Spaces
10:15am •
For Future Use - Surround and Immersive from Familiar Sources
2:00pm •
Recent Advances in Volumetric Recording Techniques for Music Production
3:15pm •
The Art of Mixing in Stereo and ATMOS Simultaneously
4:30pm •
Upmix and Format Conversion of Multichannel Audio: An Opportunity for AI-Based Breakthroughs?
1E07
9:00am •
Best practices for wireless audio in live productions
10:15am •
The Plugin Kitchen: Coding a custom effect and putting it in the mix
2:00pm •
HELA Certification: Elevating standards in live event sound management
3:15pm •
Mary Campbell In Memoriam
4:30pm •
Mastering for Vinyl
1E08
9:00am •
Student Welcome Meeting
9:45am •
Introducing the 2025 AES AI and ML for Audio Conference and its New Format
10:45am •
Generative AI For Novel Audio Content Creation
2:00pm •
Designing With Constraints in an Era of Abundance
3:15pm •
Reporting from the Frontlines of the Recording Industry: Hear from Studio Owners and Chief Engineers on Present / Future Trends, Best Practices, and the State of the Recording Industry
4:30pm •
How Do We Embrace AI and Make It Work For Us in Audio? Hey AI, Get Yer Stinkin’ Hands Offa My Job! AES and SMPTE Joint Exploration
1E09
9:00am •
NPR's Tiny Desk: A look back and a look forward
10:15am •
Adventures in Livestreaming
2:00pm •
Archiving multi-track and multi-channel: challeges and recommendations
3:15pm •
Mastery in Ambisonic Recording
1E15
10:15am •
SEIDS guide to Building Sustainable Businesses for Music Creators
2:00pm •
WMAS – The way forward for multichannel wireless audio
3:15pm •
Copying and attributing training data in audio generative models
4:30pm •
ADM-OSC 1.0
1E16
9:00am •
Personalized Spatial Audio for Accessibility in Xbox Gaming
10:15am •
The Anatomy of a Recording Session: Where Audio Technology and Musical Creativity Intersect (Part III)
2:00pm •
Bridging the Gap: Lessons for Live Media Networking from IT
3:15pm •
The Devil in the Details
4:30pm •
Psychoacoustics for Immersive Productions
3D04 (AES and AIMS Alliance Program Room)
3:00pm •
Immersive and interactive audio management and production for new entertainment venues.
4:00pm •
Revolutionizing Loudspeaker Design with Ultra Thin Glass Technology
3D06
2:00pm •
Richard King: Enveloping Masterclass
3:15pm •
Susan Rogers: Enveloping Masterclass
4:30pm •
Morten Lindberg: Enveloping Masterclass
AES Membership Booth
1:45pm •
AES Ice Cream Social
Booth 335
5:00pm •
Student Mixer at Telefunken Booth
Crystal Palace South
8:00am •
Attendee Registration
Exhibit Hall
1:00pm •
Exhibit Hall
Offsite
6:00pm •
Tech Tour: The Sonic Room at Amazon Studios
Poster
2:00pm •
Measurement and Applications of Directional Room Impulse Responses (DRIRs) for Immersive Sound Reproduction
2:00pm •
Exploring the Directivity of the Lute, Lavta, and Oud Plucked String Instruments
2:00pm •
Enhancing Realism for Digital Piano Players: A Perceptual Evaluation of Head-Tracked Binaural Audio
2:00pm •
Exploring Immersive Opera: Recording and Post-Production with Spatial Multi-Microphone System and Volumetric Microphone Array
2:00pm •
Review: Head-Related Impulse Response Measurement Methods
2:00pm •
Bitrate adaptation in object-based audio coding in communication immersive voice and audio systems
2:00pm •
The effects of interaural time difference and interaural level difference on sound source localization on the horizontal plane
2:00pm •
Quantitative Assessment of Acoustical Attributes and Listener Preferences in Binaural Renderers with Head-tracking Function
2:00pm •
Generate acoustic responses of virtual microphone arrays from a single set of measured FOA responses. - Apply to multiple sound sources.
Stage
12:00pm •
Opening & Awards Ceremony
12:45pm •
Keynote: Ebonie Smith
2:00pm •
Jack Antonoff & Laura Sisk, Up Close and Personal
3:15pm •
Audio Design Roundtable
4:30pm •
Sonic Mastery - A Room of One's Own
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