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Wednesday, October 9
 

9:00am EDT

Student Recording Competition Category 1
Wednesday October 9, 2024 9:00am - 10:00am EDT
Traditional Acoustic Recording finalists will make presentations, we will hear their submissions, and the judges will give their comments.
Speakers
avatar for Ian Corbett

Ian Corbett

Coordinator & Professor, Audio Engineering & Music Technology, Kansas City Kansas Community College
Dr. Ian Corbett is the Coordinator and Professor of Audio Engineering and Music Technology at Kansas City Kansas Community College. He also owns and operates off-beat-open-hats LLC, providing live sound, recording, and audio production services to clients in the Kansas City area... Read More →
avatar for Kia Eshghi

Kia Eshghi

Lecturer of Music Recording Technology, LaGuardia Community College
Director - AES Student Recording CompetitionVice Chair - AES Education CommitteeLecturer of Music Recording Technology at CUNY LaGuardia Community College in the Long Island City, Queens neighborhood of New York City.
avatar for Martha DeFrancisco

Martha DeFrancisco

Associate Professor, McGill University
Martha De Francisco is Associate Professor of Sound Recording at McGill University in Montreal, Canada. A native of Colombia, she has established a prominent international career for over thirty years as a record producer/engineer for classical music, frequently invited to produce... Read More →
avatar for Kseniya Kawko

Kseniya Kawko

Tonmeister, msm-studios & Jazz Club Unterfahrt
Kseniya Kawko is a producer and recording engineer specialized in classical music and jazz. She holds Master of Music degrees from two world-renowned audio programs: Sound Recording, McGill University (Montréal, Canada) and Musikregie / Tonmeister, Hochschule für Musik Detmold (Germany... Read More →
Wednesday October 9, 2024 9:00am - 10:00am EDT
1E07

10:00am EDT

Student Recording Competition Category 2
Wednesday October 9, 2024 10:00am - 10:45am EDT
Traditional Studio Recording finalists will make presentations, we will hear their submissions, and the judges will give their comments.
Speakers
avatar for Ian Corbett

Ian Corbett

Coordinator & Professor, Audio Engineering & Music Technology, Kansas City Kansas Community College
Dr. Ian Corbett is the Coordinator and Professor of Audio Engineering and Music Technology at Kansas City Kansas Community College. He also owns and operates off-beat-open-hats LLC, providing live sound, recording, and audio production services to clients in the Kansas City area... Read More →
avatar for Kia Eshghi

Kia Eshghi

Lecturer of Music Recording Technology, LaGuardia Community College
Director - AES Student Recording CompetitionVice Chair - AES Education CommitteeLecturer of Music Recording Technology at CUNY LaGuardia Community College in the Long Island City, Queens neighborhood of New York City.
avatar for Andrew Schneider

Andrew Schneider

Recorderer / Mixerer / Producerer / Studio Ownerer, ACRE Audio
Andrew Schneider is a Brooklyn based Producer, Mixer and Engineer. He has a strong passion for working with independent artists to create unique recordings. American, Canadian and Swedish Grammy nominated, Andrew's production work includes recordings for labels Ipecac, Thrilljockey... Read More →
Wednesday October 9, 2024 10:00am - 10:45am EDT
1E07

10:45am EDT

Student Recording Competition Category 3
Wednesday October 9, 2024 10:45am - 11:45am EDT
Modern Studio Recording finalists will make presentations, we will hear their submissions, and the judges will give their comments.
Speakers
avatar for Ian Corbett

Ian Corbett

Coordinator & Professor, Audio Engineering & Music Technology, Kansas City Kansas Community College
Dr. Ian Corbett is the Coordinator and Professor of Audio Engineering and Music Technology at Kansas City Kansas Community College. He also owns and operates off-beat-open-hats LLC, providing live sound, recording, and audio production services to clients in the Kansas City area... Read More →
avatar for Kia Eshghi

Kia Eshghi

Lecturer of Music Recording Technology, LaGuardia Community College
Director - AES Student Recording CompetitionVice Chair - AES Education CommitteeLecturer of Music Recording Technology at CUNY LaGuardia Community College in the Long Island City, Queens neighborhood of New York City.
MW

Marek Walaszek

General, Addicted To Music
Wednesday October 9, 2024 10:45am - 11:45am EDT
1E07

12:00pm EDT

Implementing WHO Hearing Health Guidelines in Small Venues & Houses of Worship
Wednesday October 9, 2024 12:00pm - 12:45pm EDT
This workshop falls under the category of an AES Tutorial. This workshop outlines the tested method implemented in a small house of worship, and aims to demystify WHO standards as well as communicate an effective solution to implement hearing health monitoring.

Implementing affordable and efficient hearing health monitoring in small music venues is crucial to align with the World Health Organization (WHO) guidelines aimed at preventing hearing damage due to prolonged exposure to high sound levels, which have become much more standardized in recent years. This tutorial will address the unique challenges faced by small music venues, especially houses of worship, which often operate under tighter budgets and where user-friendly permanent solutions are key to long term success. The WHO guidelines emphasize regular monitoring of sound levels, provision of adequate hearing protection, and educating both patrons and staff about the risks of hearing loss and the measures that can be taken to mitigate these risks. This workshop will provide a detailed, practical, and cost-effective roadmap for small venues to implement these recommendations without compromising on the quality of the musical experience. We will walk through interpreting the WHO and AES hearing health standards for live venues, and making sense of large technical documents to communicate to volunteers and newer employees, as well as outline a real world tested solution to implementing hearing health monitoring. Another area of focus will be a brief explanation of how human hearing works, and how it can be damaged. The tutorial will demonstrate how to collect and interpret data, and practical everyman solutions to adapt to hearing health challenges as they arise. Another critical aspect of the tutorial will be on hearing protection strategies. Small music venues can provide disposable earplugs to patrons and staff at a minimal cost or invest in reusable earplugs that offer better sound quality while protecting hearing. The tutorial will discuss the different types of earplugs available, their cost, and how to encourage their use among patrons without detracting from the concert experience. Education is a cornerstone of the WHO guidelines, and this tutorial will explore effective ways to raise awareness about hearing health. This includes training staff to recognize the signs of excessive sound exposure and understand the importance of hearing protection, as well as developing clear and engaging signage and informational materials for patrons. By the end of the workshop, attendees will have a comprehensive understanding of how to implement a hearing health monitoring system in their venues that is both practical and affordable, aligned with the WHO guidelines, and tailored to the unique needs of small music venues. They will leave equipped with actionable strategies, practical tools, and a network of peers committed to promoting hearing health in the music community. This tutorial not only aims to protect the hearing of patrons and staff but also to enhance the overall quality of the live music experience by fostering a safer and more aware listening environment.
Speakers
TS

Tommy Spurgeon

Physics Student & Undergraduate Researcher, University of South Carolina
Wednesday October 9, 2024 12:00pm - 12:45pm EDT
1E07

2:00pm EDT

Is Audio AI Changing Audio Education?
Wednesday October 9, 2024 2:00pm - 3:15pm EDT
Quickly developing, it's often difficult to keep up with the latest in AI, and how AI based products are permeating into the industry. What AI based products are in use? Are they changing what we need to teach? What do we think will be coming next? Join us as a panel of educators and professionals (connected to AI in the industry) discuss these things, and answer your questions about and the state of AI in the industry. This panel is presented by the Technical Committee on Machine Learning and Artificla Intelligence and the Education Committee.
Speakers
avatar for Ian Corbett

Ian Corbett

Coordinator & Professor, Audio Engineering & Music Technology, Kansas City Kansas Community College
Dr. Ian Corbett is the Coordinator and Professor of Audio Engineering and Music Technology at Kansas City Kansas Community College. He also owns and operates off-beat-open-hats LLC, providing live sound, recording, and audio production services to clients in the Kansas City area... Read More →
avatar for Brecht De Man

Brecht De Man

Head of Research, PXL University of Applied Sciences and Arts
Brecht is an audio engineer with a broad background comprising research, software development, management and creative practice. He holds a PhD from the Centre for Digital Music at Queen Mary University of London on the topic of intelligent software tools for music production, and... Read More →
MD

Michele Darling

Chair, Electronic Production and Design, Berklee College of Music
Wednesday October 9, 2024 2:00pm - 3:15pm EDT
1E07

3:30pm EDT

Newly Discovered Jazz Recordings at New York Public Library
Wednesday October 9, 2024 3:30pm - 4:15pm EDT
Last year saw the release of the Grammy-nominated album “Evenings at the Village Gate – John Coltrane with Eric Dolphy” on Verve. It was the result of many years of intensive detective work by Jessica Wood, Assistant Curator at New York Public Library’s Music & Recorded Sound Division. A long-missing cache of tapes from Richard Striker’s Institute of Sound, recorded by legendary New York engineer Richard Alderson, had been discovered and located by Wood.

Wood, Alderson, and NYPL Audio Preservation Engineer Jeff Willens then went through hundreds of tapes. Among them were unreleased studio and/or live recordings by Bob Dylan, John Coltrane, Nina Simone, Art Blakey, Thelonious Monk, and many other jazz and classical artists, as well as performers as diverse as Tom Paxton, Moondog, and poet Hugh Romney (aka Wavy Gravy).

In this talk, we will explain how this collection of vital, previously unknown recorded documents of the 1960s New York music scene was “lost,” located, and reclaimed by NYPL. We will also tell the story about how two of these unheard reels were brought to the public, filling some gaps in the Coltrane canon. And we will also share why a maverick NYC engineer at the top of his game, left the city and his invaluable tapes behind.

We will be playing samples from the Striker Collection during the talk and inviting attendees to help us “crowdsource” some of the unidentified recordings therein.
Speakers
avatar for Jeff Willens

Jeff Willens

Media Preservation Engineer, New York Public Library
avatar for Jessica Wood

Jessica Wood

Assistant Curator, Music Division and Rodgers & Hammerstein Archives of Recorded Sound, New York Public Library
Jessica is the Assistant Curator for the Music Division as well as the Rodgers & Hammerstein Archives of Recorded Sound at the New York Public Library for the Performing Arts. She previously worked as a project archivist at the Library of Congress' Music Division and as a sound recordings... Read More →
Wednesday October 9, 2024 3:30pm - 4:15pm EDT
1E07

4:30pm EDT

Crafting Modern Hip Hop/Rap: A Hands-On Guide
Wednesday October 9, 2024 4:30pm - 5:30pm EDT
This 45-minute workshop is designed for music production students eager to dive into the world of modern hip hop and rap. With hard-hitting beats, intricate rhythms, and innovative production techniques, hip hop/rap continues to dominate the music scene. Our session will cover essential techniques and creative tips to help you produce tracks that capture the essence of contemporary hip hop and rap.

Workshop Overview

Title: Crafting Modern Hip Hop/Rap: A Hands-On Guide

Duration: 45 minutes

Target Audience: Music production students and aspiring producers

Prerequisites: Basic knowledge of DAWs (Digital Audio Workstations) and audio production

Objectives

By the end of this workshop, participants will:

Understand the key elements of modern hip hop and rap music.
Learn how to create hard-hitting beats and basslines.
Explore techniques for crafting catchy hooks and verses.
Gain insights into mixing techniques to achieve a polished hip hop/rap sound.

Workshop Content

Introduction to Modern Hip Hop/Rap (5 minutes)
Brief history and evolution of the genre
Key characteristics: Beats, basslines, and lyrical flow
Influential artists and iconic tracks

Creating Hard-Hitting Beats (10 minutes)
Overview of drum machines and sample packs
Layering and sequencing drum sounds
Practical demo: Designing a punchy beat

Crafting Catchy Hooks and Verses (10 minutes)
Importance of hooks in hip hop and rap
Techniques for writing memorable verses and choruses
Practical demo: Building a hook and verse from scratch

Basslines and 808s (10 minutes)
Essential bass patterns and 808 techniques
Using sub-bass and distortion for impact
Practical demo: Programming a powerful bassline

Mixing for Hip Hop/Rap (5 minutes)
Key principles of mixing for clarity and impact
Using effects to enhance the vibe: Reverb, delay, and saturation
Practical demo: Quick mixing tips for a hip hop/rap track

Q&A and Wrap-Up (5 minutes)
Recap of key points
Q&A session for participants
Additional resources and next steps
Speakers
avatar for Tyron Williams

Tyron Williams

Music Educator, Certified Banga Productions LLC
Greeting everyone. My name is Tyron Williams, better known as TWiZ, an accomplished GRAMMY nominated Music Educator, record producer, audio engineer, and content creator hailing from Savannah, Georgia. Currently, I live in the NYC area extending my expertise to aspiring young artists... Read More →
Wednesday October 9, 2024 4:30pm - 5:30pm EDT
1E07
 
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