AES Show 2024 NY

Since the 1980s, several digital recording systems were produced that used open reel tapes (DASH standard and ProDigi), cassette tapes, DAT, Video8, VHS (ADAT), U-Matic, etc and the more recent MOD (magnetic optical disk).

All these formats became obsolete with the introductions of Hard Disk and software-based recording systems.

Today, many of these formats can still be found in our archives and need to be preserved, but the real issue is having the machines to read them. This is why the second-hand market is relied upon.

But what happens when these machines are broken? Are there still resources available to repair them? This is the challenge that the world of archiving, and beyond, must face.

Gabriele Franzoso and Bob Shuster will discuss creative solutions for repairing and maintaining these legacy playback machines

We will discuss Loudness Management, Dialog Intelligibility, and the new Loudness Education Website. This committee meets weekly and has produced a number of significant Technical Papers including TD-1008. Also recently, they wrote the standards AES71 and AES77.

Large scale systems face unique challenges of scale, shape, acoustic overflow restrictions, flown weight restrictions and yet still must produce high quality experiences for the audience. Join Bob McCarthy for a discussion of the large-scale outdoor systems used in festivals from the NY Philharmonic in Central Park through major rock festivals.

Embarking on the journey from innovative research to launching a successful company in the audio technology sector can be both exciting and daunting. This workshop aims to demystify the entrepreneurial process for AES engineers and professionals who aspire to transform their research into a recognized product and a thriving business. By featuring a panel of seasoned entrepreneurs who have successfully navigated this path, attendees will gain invaluable insights and practical guidance on how to start and grow their own ventures in the audio industry.

Workshop Overview:
This workshop will provide a comprehensive roadmap for audio engineers and technologists considering the path of entrepreneurship. It will feature detailed discussions on the following key topics:

1. Identifying market opportunities:
- Understanding market needs and gaps in the audio technology sector.
- Conducting market research and validating your product idea.

2. Building a strong foundation:
- Transitioning from a research idea to a viable product.
- Establishing a solid business plan and securing initial funding.
- Protecting intellectual property through patents and trademarks.

3. From prototype to production:
- Developing and refining prototypes.
- Navigating the challenges of manufacturing and scaling up production.
- Ensuring quality control and meeting industry standards.

4. Go-to-market strategies:
- Crafting an effective marketing and branding strategy.
- Leveraging digital platforms and social media for product launch.
- Building partnerships and distribution channels.

5. Sustaining growth and innovation:
- Fostering a culture of continuous innovation and adaptation.
- Managing growth and scaling operations.
- Securing follow-on funding and exploring exit strategies.

Interactive elements:
The workshop will emphasize interaction and engagement, providing ample opportunities for attendees to pose questions and share their own experiences. Each panelist will deliver a brief presentation, followed by a moderated discussion and an open Q&A session.

Target audience:
This workshop is tailored for audio engineers, researchers, and technologists who have developed innovative audio technologies and are considering starting their own companies. It suits those with a basic understanding of audio technology and a keen interest in entrepreneurship.

State of the Music Business

In Depth Conversation on the State of the Music Business - Streaming,
Royalties and AI

Panelists:

Scott Rubin, Reach Music Publishing
Music Publisher
https://www.reachmusic.com/

Judy Tint, Attorney, Consultant, Producer, Professor/NYU
https://steinhardt.nyu.edu/people/judy-tint

Hank Shocklee, Artist, Musician, Producer, A&R, Content Creator

Moderator: Angela Piva. Co Chair Education Committee

The majority of loudspeaker design now relies on simulation software such as Klippel. This approach has been effective in improving various speaker characteristics. However, the overreliance on simulation software without a deep understanding of electro-acoustic transducers has led to a neglect of the fundamental principles of speakers. This has become a bottleneck in enhancing the sound quality of speakers.

This session re-focuses on impedance characteristics, which are no longer receiving sufficient attention today. It explains the sound quality issues associated with impedance fluctuations, methods for addressing them, and how to design speakers based on information derived from impedance characteristics.